Modern and Traditional Embroidery Dress

Here in London the nights are drawing in as a winter chill spreads through the city. It may no longer be sunbathing weather (although I'm not sure if we really even have that in our summer!) but it is perfect weather for stitching! Liz Payne's gloriously colourful embroidery has brightened our day and I hope you find it inspiring too.


Bold and bright patterns of colour and shape are integral to Liz Payne's work. Her work is densely textured with hand embroidery, beading and fringing, which all form additional pattern within her designs.


Commonly, Liz will start out by painting fabric and canvas which are next adorned with embroidery. Known widely for her art pieces, Liz also embellishes shoes and designs her own range of bespoke jewelry.



Liz talks about her work: 'I’m not shy of using colour in my work (sometimes every colour!). Using stitch I’m able to introduce a textural dimension to my work, drawing the viewers eye into and across the intricacy of the details.'

Take a look at her Etsy shop 'Flirting with Yellow' to see more of her work.

Take a tour through these beautiful illustrations by Australian based artist Laura McKellar. Her passion for different artistic mediums is evident in her work, which includes photography, textiles, fashion and graphic design. Laura's stunning textile pieces are initially worked and edited on the computer often incorporating photography then digitally printed onto fabric to be further embellished with hand embroidery. Her colourful palette is sure to brighten any chilly, Fall morning. Find out more about her work here.

Louise Saxton has an expert eye for antique embroidery and lace. Her artistic practice is centred around reclaiming vintage needlework to produce contemporary, textile collages and sculptures. Louise Saxton talks about the appeal of embroidery: 'Needlework is an ancient art form, beautiful as well as practical, and whether simple or complex in design it is painstakingly constructed.'



Saxton predominantly uses pins to fix the textiles and fabricate her collages and with this technique she can achieve a textile relief. This technique also echoes the traditional handwork experience and the labour involved.


Undertaking residencies in Mexico and Malaysia has broadened her insight into local artisan technique, influenced her work and also helped in increasing her great collection of needlework.


Saxton regards her artistic process as a 'silent collaboration with the anonymous original makers'. This transformation of forgotten and discarded textiles is integral to her work as it returns importance and value to the craft of needlework and showcases these precious pieces of handwork. Saxton elaborates: 'Historically, handmade embroidery and lace were as economically valuable as gold and silver... Needlework is cross-cultural, but sadly in most parts of the world today, it is in danger of disappearing.' Promoting traditional needlework and textiles within her work helps to protect the art form.

To find out more about her work and upcoming exhibitions look here.